![]() ![]() “I was excited and flattered, and then I just realized the crushing enormity of what it was we were being asked to do,” he says. Then, after the initial excitement of the offer passed, reality set in. It’s in your hands now,’ ” Unkrich recalls. ![]() I can’t do it, and I know you’ll do a great job. “John took me aside and said: ‘I want you to direct Toy Story 3. But Lasseter, who had been put in charge of Pixar and Walt Disney Animation Studios, had other plans. That obstacle vanished when Disney bought Pixar in 2006, and Unkrich says he again expected to co-direct the movie with Lasseter. After the sequel was released in 1999, he says a third installment seemed inevitable, but Pixar and its distributor Disney had legal friction that put Toy Story 3 on hold. Unkrich had been there from the start, working as a film editor on Toy Story and co-directing Toy Story 2 with John Lasseter. For them, Toy Story was the film that inspired them to become storytellers and filmmakers and animators.” Says director Lee Unkrich of the new generation that wanted to be part of a franchise they grew up with: “One of my top story guys was 9 years old when Toy Story came out. ![]() Noah Baumbach, George Drakoulias Fete Randy Newman's 'Marriage Story' Score at Netflix Soundcheck ![]() But 1995’s Toy Story, the first completely CG-animated feature-length movie, and the franchise it spawned are so near and dear to the company’s heart that when work began on the estimated $200 million Toy Story 3 in 2006, it was the movie everyone at Pixar wanted to work on, from fresh, young talent to studio veterans including producer Darla K. It rarely has looked backward or indulged in nostalgia about its success. Pixar Animation Studios has always had its eye solidly on the future of moviemaking, using cutting-edge technology and old-fashioned storytelling to propel animation into the 21st century. ![]()
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